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André Ramos-Woodard

André Ramos-Woodard

WEAPON (George Zimmerman sold the gun he killed Trayvon Martin with for a quarter-million dollars), 2019


11 x 8½" Archival pigment print 
8¼ x 6½" Image size

Edition of 22


Each print includes a certificate of authenticity, numbered and hand-signed by the artist.


All f22 proceeds from this print will be donated to the Black Lives Matter Global Network Foundation and Everytown For Gun Safety

  • About the Image

    WEAPON (George Zimmerman sold the gun he killed Trayvon Martin with for a quarter-million dollars), 2019

    I remember the night I went to take this photograph. It was one of those times when you have an idea and you just have to make it happen, regardless of what time it is. So at about 11:30pm one night I got outta bed, got my black hoodie, and went to a gas station at like midnight to get some skittles for this photograph.

    When I got to the studio to make this photograph, there were cops everywhere. The building my studio was on is a pretty small street, so I'm talkin' like 2 or 3 cop cars and that's enough to block the entire main entrance. So of course there were at least 2 or 3 cop cars on that very street, blocking that very entrance... The entrance I most commonly use to get to my studio.

    Anyway, this scared the absolute shit outta me. I wasn't even doing anything wrong - just went to my studio to go make a piece about police brutality specifically against Black people, and here I am, a Black person who seems to have walked right into the very potentially fatal equation I was tryna reference. It seemed like the world was tryna fuck with me or something. Thankfully, there's one entrance on a perpendicular side that didn't have any cops around it. I took that entrance.

    I couldn't get myself to make the image for about an hour. I just paced around in my studio, occasionally tryna to peek outside the windows and get a glimpse of what was going on, wondering why there were so many cops outside, half-expecting them to bang on the building doors and ask what I was doing even though I know I had the right to be there.

  • Artist Bio

    Raised in the Southern states of Tennessee and Texas, André Ramos-Woodard (they/ them/ theirs) is a contemporary artist who uses their work to emphasize the experiences of the underrepresented: celebrating the experience of marginalized peoples while accenting the repercussions of contemporary and historical discrimination.


    Working in a variety of media—including photography, text, and illustration—Ramos-Woodard creates collages that convey ideas of communal and personal identity centralized within internal conflicts. They are influenced by their direct experience with life as being queer and African American, both of which are obvious targets for discrimination. Focusing on Black liberation, queer justice, and the reality of mental health, Ramos-Woodard works to amplify repressed voices and bring power to the people. Ramos-Woodard received their BFA from Lamar University in Beaumont, Texas, and is earning their MFA at The University of New Mexico in Albuquerque, New Mexico.

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